top of page
Shira Averbuch Album

" ...Shira, possessed of a winning voice and an enigmatically expressive smile...."

"...Shira captivated the audience with her jazzy vocals and mandolin playing." 

"...alluring, Shira strums a mandolin like a Taft-era manic pixie dream girl."

for more info...

  • Black Facebook Icon
  • Black YouTube Icon
  • Black Twitter Icon
  • Black Instagram Icon
  • Black SoundCloud Icon


Butterflies is the first single from Shira's debut album 

Till The Sun Comes. The album is a very personal piece.

The songs were all written after her father passed away. They follow her path into feeling light again, after a long period of darkness.   


"For the longest time I couldn't really feel anything after my dad passed away. Then I met this guy... and it was obvious that this was a romance, that this was not THE guy, but for a magic moment I felt my heart opening up and it just reminded me that- oh, this can happen to me again! Even after the worst thing you can ever imagine, happens. I can love."

"The wound is the place from where the light enters you."



Shira Butterflies amazon
Shira Butterflies Google play

Singer songwriter. Tree Hugging Fairy.

Last year when Shira made her Off-Broadway debut as Louise, the lead in the new musical Solitary Light at Axis Theater she met award winning guitarist and musical director for Blondie 1997-2010, Paul Carbonara.  

As they worked on the musical, which Carbonara co-wrote and arranged, a wondrous musical connection was made.


Till The Sun Comes is a fairy folk album with a touch of country jazz. All the songs were written by Shira and produced by Paul Carbonara.

To be released early 2016.


Shira Averbuch ukulele
Shira Averbuch logo

Born in Rochester, NY to Israeli parents, Shira split her time growing up between Israel and the States. She and her family moved back to the US when she was 10; she knew three words of English at the time. 


“The first night at our new home my parents left me a gift on the bed, the Beatles blue & red collections from 1962-1970,” Shira says. “Not only did they teach me English, but they changed my life forever. I started to sing along and my brother, who is also a musician today, noticed. One day he played for me the album Ella & Louie. I had it on repeat for a solid year. I felt Ella Fitzgerald was healing me with her voice. I wanted to do that too, I wanted to heal through music.”

Shira met producer Paul Carbonara (Blondie) as a performer in New York’s vibrant theatre community. After working together on two Off Broadway musicals they went on to record two albums of Shira's music produced by Carbonara along with an ace six-piece band, including Grammy-nominated drummer Dan Pugach. The 1st one, Till the Sun Comes and the new EP, Birds of a Feather. Together they created a live folk-acoustic sound so raw you could almost hear the wooden floors creaking under their feet. Shira calls her sound fairy-folk; infused with her sensational ukulele stylings, her music is reminiscent of powerhouse singer-songwriters like Sara Bareilles, Brandi Carlile and Ingrid Michaelson. 

“When I wrote and recorded these songs… I was single, very single. Enjoying long conversations with myself as I wash the dishes single,” Shira says of new EP. “As these songs were coming out of me, I realized, I don’t need anyone, but I want someone. Someone to love deeply and passionately who still feels like home. Now, a year later, I know every single song was really written about the incredible human I found and found me before we even met.” 


Shira anticipates that her upcoming songs resonate in the same way first single “Usually” has, about the excitement of something good on the horizon. She hopes to share a message of hope, in the same way those first records she owned did for her. 


“About 10 years ago I served in the Israeli Army band, which is very similar to a USO tour. Right after I joined, a war broke out between Lebanon and Israel, and I was sent to perform for soldiers and civilians living in war zones. There was one performance that made me realize why this is what I have to do,” she says.


“We arrived at an underground bomb shelter where about four families were staying with very small children. We sang for them and with them, we told stories and performed skits. We were about to leave and a six-year-old girl wearing a summer dress covered in butterflies ran up to me and held on to my leg asking me not to leave because I made her feel safe again. I knew this was my calling and I had to do it, to bring healing to the world through music.”

bottom of page